You are cordially invited to the Philippine launch of dr. meLê
As part of the
A limited number of discounted copies of the book will be available during the launch. Attendees will also receive Palgrave Macmillan discount coupons that can be used for online purchases of the book.
Special thanks to Prof. Patricia Brillantes Silvestre and the Dept. of Musicology for making this event possible.
Abstract of the Lecture
The arrival of modernity is often hailed in visual terms, but not as much as with the heraldry of its concomitant proliferation of sound, nor in how the modern society dealt and organized what they were hearing. The lecture inquires into the process of ‘
The lecture will examine the intersection between sound and modernity in dramatic and musical performance in Manila and the Asia-Pacific between 1869 and 1948. During this period, tolerant political regimes resulted in the globalization of capitalist relations and the improvement of transcontinental travel and worldwide communication. This allowed modern modes of theatre and music consumption to instigate the uniformization of cultural products and processes, while simultaneously fragmenting societies into distinct identities, institutions, and nascent nation-states. Taking the performing bodies of migrant musicians as the locus of sound, yamomo argues that the global movement of acoustic modernities was replicated and diversified through its multiple subjectivities within empire, nation, and individual agencies. It traces the arrival of European travelling music and theatre companies in Asia which re-casted listening into an act of modern cultural
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